Michael McDermott

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Michael McDermott burst onto the scene in his early 20’s with his exceptional debut, 620 W. Surf and subsequently found himself touted as Rock’s ‘Next Big Thing’. MTV, Rolling Stone, The New York Times and even author, Stephen King added their appreciative nods and having the backing of Giant Records and prestigious producers like, Brian Koppelman and Don Gehman, seemed to go a long way towards assuring his success - overnight success.

The missteps and failures that followed, the collapse of an industry that once embraced him as its next sensation, are troubles and travails that either ruin a person completely, or they force a change of attitude and staunch determination to gather one’s resolve to not only survive, but overcome. McDermott vowed to do both. Ten albums in, it’s resulted in Willow Springs (Pauper Sky, June 17, 2016), one of the most honest, daring and defiant recordings of McDermott’s career. Named for the small town where he now resides with his wife and young daughter, it reflects a certain circumspect about his life, the situations he’s encountered, while realizing that ultimately, his fate resided in his own hands.

“This is an album of reckoning I suppose,” McDermott reflects. “There was a real cacophony of change going on in my life at the time... being a new father, losing my own father, leaving the city for the country, dealing with sobriety, grief, death, mortality, shame and forgiveness. It was a veritable emotional tsunami and yet somehow I had to navigate through it all. That journey is reflected in these songs. Willow Springs is the name of the place where I took refuge and had to confront a lot of things”.

Recorded at his home in the country and fan-funded, Willow Springs finds McDermott behind the boards as producer for the first time with longtime producer and collaborator, Lex Price doing the mix. Having enlisted a stellar support group of musicians -- including multi-instrumentalist, Price; guitarist, Will Kimbrough; keyboard player, John Deaderick and McDermott’s wife, Heather Horton on backing vocals - McDermott found himself able to craft the unassuming yet cutting sound he envisioned.

Indeed, the results bear out the fact that Willow Springs is the most honest and expressive album of McDermott’s extraordinary 25 year career. Songs such as, ‘These Last Few Days’, ‘Getaway Car’, ‘Half Empty Kinda Guy’, ‘One Minus One’ and the title track, convey all at once, a sound that’s both reflective and confessional - borne by stark emotion and a tattered, battered delivery that’s both sobering and sublime. McDermott remains more determined than ever, and Willow Springs is the result. “My enthusiasm is only matched by my desire to continue to evolve as an artist” he insists.

Accolades and kudos can be accumulated one minute and quickly dissipate the next. After all, the music biz is a fickle beast and it doesn’t matter how much you pleased the masses last year, last month or even last week, but rather, about what you offer today.

Today, McDermott has offered his best.

Kudos to Michael McDermott - overnight success.

In the News

“Blending poignant observations with captivating imagery, McDermott again cements his status as one of the great songwriters of his generation.”—Roots Music Report

Willow Springs is an album to savour, one to admire and one that salutes the human heart for all its frailties, faults and fervour.”—Lonesome Highway

“….touching, ruminative, and almost painfully introspective.”—American Songwriter

“The Chicago storyteller’s latest collection of societal snapshots once again proves he is an indispensable artist whose songs should rank among those of some of the seminal songwriters of this or any other lifetime.”—Jim Villanueva, All Access

“In my humble opinion, Michael McDermott is one of the top 10 songwriters on the planet.…period.”—Jim Villanueva, syndicated radio host and journalist

“…today he has recorded the kind of collection that sounds like it will live forever. There is a depth of life that runs through songs like "These Last Few Days," "Half-Empty Kinda Guy," and "What Dreams May Come" that is so rarely heard now it's like they've disappeared.”—Bentley’s Bandstand/ The Morton Report

“McDermott’s voice is explosive as thunder and his storytelling, backed by acoustic guitar, bass drum and touches of banjo is uniquely from the heartland.”—Something Else Reviews

“With Dylanesque vocals and writing that can have him following in Loudon Wainwright’s footsteps forever, this is a real contemporary folkie set that hit’s the target and slays all the pretenders. Hot stuff that acoustic singer/songwriter fans will utterly flip for.”—Midwest Record

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